Las óleos de todo Jan Josef Horemans the Elder


ID Image  Painting (From A to Z)       Details 
87021  
Jan Josef Horemans the Elder, Boys' school
 
 Boys' school   oil on canvas, 40 x 35 cm Date 18th century cjr
78500  
Jan Josef Horemans the Elder, Catherine II of Russia in the mirror
 
 Catherine II of Russia in the mirror   ca. 1793(1793) Medium Oil cyf
70529  
Jan Josef Horemans the Elder, Concert in an Interior
 
 Concert in an Interior   Medium Oil on canvas Dimensions 120 x 108 cm
2402  
Jan Josef Horemans the Elder, Garden with Figures on a Terrace
 
 Garden with Figures on a Terrace   1735 Rex A.L.Cohen Collection, London
91745  
Jan Josef Horemans the Elder, Girls school
 
 Girls school   oil on canvas, 40 x 35 cm Date 18th century cyf
70929  
Jan Josef Horemans the Elder, Marriage Contract
 
 Marriage Contract   Medium Oil on canvas Dimensions 112 x 108 cm
77756  
Jan Josef Horemans the Elder, Portrait of Maria Anna of Bavaria
 
 Portrait of Maria Anna of Bavaria   Date 1604(1604) Medium Oil on canvas cyf
78666  
Jan Josef Horemans the Elder, Portrait of Maria Anna of Bavaria
 
 Portrait of Maria Anna of Bavaria   1604(1604) Medium Oil on canvas cyf
71775  
Jan Josef Horemans the Elder, Tea Time
 
 Tea Time   18th century Oil on canvas 51 x 58 cm

Jan Josef Horemans the Elder
1682-1759 Dutch Jan Josef Horemans Galleries He was a pupil of the sculptor Michiel van der Voort I and then of the Dutch painter Jan van Pee (before 1640-1710), who was active in Antwerp. Horemans joined the Guild of St Luke in 1706-7. He appears to have followed in the footsteps of the 17th-century Flemish genre painters, executing a few portraits and a large number of small anecdotal pictures that were highly prized on the market. In paintings such as the Village School and the Cobbler's Shop (both 1712; Vienna, Ksthist. Mus.), the Musical Company (1715; Brunswick, Herzog Anton Ulrich-Mus.) and the Card-players (Florence, Uffizi) he represented scenes from contemporary everyday life that combine observation with a certain degree of stiffness. Most of his paintings are signed. In 1746, together with his son Jan Josef Horemans II, he painted the Abbot of St Michel Visiting the Order of the Fencing Oath (Antwerp, Kon. Mus. S. Kst.).



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